‘All We Think Like Light’ (MAMI Review) | A Breathtaking Meditation on Identity and Desire

Mumbai is often referred to as the “city of dreams” because it promises opportunity and success. Whenever something happens, the media always talks about the “Spirit of Mumbai” and how the city continues to function despite facing many challenges. Payal Kapadia’s “EVERYTHING WE THINK OF IS LIGHT,” viewers are taken on an extraordinary journey about three immigrant women who wander through a city steeped in mystery. What viewers see next is a surprising tale of the thin line between dreams and reality, encompassing a story that is as horrific as it is beautiful.

The film begins with an introduction to our main characters: Prabha (played by Kani Kusruti), and Anu (played by Divya Prabha). Prabha works as a nurse in a hospital in the city of Mumbai and is separated from her husband who lives in Germany. She lives with Anu, her younger colleague, who is in love with a Muslim boy named Shiraz (played by Hridhu Haroon). After spending most of their day at the hospital, the two took a break from their busy schedules to go out on the town and spend some quality time together. Additionally, we are introduced to a woman named Parvaty (Chhaya Kadam), who works in the canteen at the same hospital. At its heart, “ALL WE FIRE LIKE LIGHT” is a meditation on the inner struggles of its characters, revealing their weaknesses, desires, and fears.

One of the most beautiful and daring aspects of the film is how it delves into the complexities of the human psyche, presenting a deep and introspective story. Although the non-linear narrative follows its characters as they navigate their personal lives and collective trauma, Kapadia doesn’t shy away from creating a world where reality fades into fiction. There are times when we tend to think about things we can’t have and make scenarios in our head about how we would react if those desires were suddenly fulfilled. This is what the film is about and it touches people deeply. Meanwhile, the depth of the storyline is enhanced by its universal themes of love, loss, identity, and self-discovery. The director does a great job of making a compelling story for each character in the film. Not only does it allow viewers to delve deeper into the lives of these characters, but it also gives them a chance to connect with them on a personal level. Furthermore, the decision to make the film switch between past and present gives it a dream-like quality that stays with the audience long after it’s over.

The screenplay is another aspect that takes the movie to a whole new level. There are a number of Indian movies that feature poetic and realistic narratives. Payal Kapadia’s song “ALL WE THINK OF IT AS LIGHT” is one of them and it seamlessly combines elements of magical realism with human based experiences. Even though the dialogues are few, the impact they have on the audience is great and enough to make them understand its importance. The script of the film is a perfect example of “actions speak louder than words” and Kapadia is to be commended for this approach. His screenplay is full of metaphors and layers that reveal themselves at the end, making it a treat for viewers who like to watch a film with wit and emotion.

Apart from the writing and direction, the film excels in the way it portrays Mumbai and its locations. The cinematography is stunning and each frame feels like a painting. It helps to enhance the experience of watching a movie and deepens its emotional resonance.

Kani Kusruti on the album ‘ALL WE IMAGINE AS LIGHT’ (Image Credit: Spirit Media)

In addition to these features, the performance of the actors “ALL IMAGES LIKE LIGHT” is why this film expresses a deep feeling. Kani Kusruti as Prabha is amazing in this film and delivers one of the best performances of the year. He doesn’t leave any stone unturned to show the viewers how Prabha feels in a certain situation and even though the scene forces her to face the stones, the viewers can see how she feels. Kusruti is a force to be reckoned with and deserves all the accolades she gets for her fine skills.

Meanwhile, Divya Prabha adds another layer to the film with her amazing performance. His performance is nuanced and spontaneous. His acting is really good and makes his character seem very relatable. The chemistry between Kasunti and Prabha is the highlight of the film and enhances the overall impact of the film. On the other hand, Chhaya Kadam continues his golden run with this film. She took India by storm with her brilliant performance in “Laapata Ladies,” and she delivered another superb performance in the film.

Overall, “EVERYTHING WE THINK OF IS LIGHT” it is a rare Indian film that can be compared to the big titles in world cinema. Payal Kapadia perfectly captures universal emotions while maintaining a unique and personal perspective. This film is a testament to the power of cinema to explore the human condition in all its complexity. The film is a hauntingly beautiful exploration of memories and emotions. The narrative unfolds as a collection of disparate memories, evoking a strong sense of nostalgia. It is a testament to Kapadia’s vision and his ability to create emotional and philosophical cinema.

Everything We Think of as Light premiered as the opening film of the MAMI Mumbai Film Festival 2024, which began on October 18, 2024.

Post ‘All We Think Like Light’ (MAMI Review) | A Breathtaking Meditation on Identity and Desire appeared first on Coastal House Media.